Tag Archives: Australia

Conflux7 – Small convention with a big heart

Some of you may not have heard about Conflux, a speculative fiction

convention that just took place in Canberra, Australia. Unlike last year’s Worldcon (aka Aussicon4), Conflux is small. Only a few hundred people attended. But what Conflux lacks in size, it more than makes up for in passion

and soul. The sense of community is everywhere, from the shared joy of a book launch to the palpable loss of fantasy author Sara Douglass, who died shortly before the conference began. Overall, Conflux was a cozy get-together, where likeminded fans and writers mingle and enjoy their love of SF and Fantasy.

Of course, lots of stuff happened over the 4 day event. I’m not going to post
everything here at this time, but a full report will appear soon on the Adventures in SciFi Publishing website. Keep your eye out for it.

In the meantime, special congratulations go out to Patty Jansen, a major figure in the Australian writer’s scene.  She was kind enough to spend time talking with me during the entire event. Having won the second quarter of the Writers of the Future contest, the fruits of all her hard work have now gained her global attention. It’s well deserved in my opinion.

Conflux 7 – Australian speculative fiction convention

Looks like I’m going to Conflux 7, the seventh speculative fiction convention held Saturday October 1 to Monday October 3rd in Canberra.  That’s in Australia Mate!

The first was in 2004 and was the national convention (Natcon) for that year. Since then, Conflux has become one of the most well known cons in Australia.

This year’s special guests include Kim Westwood (Author), Natalie Costa-Bir (Editor), Lewis Morley and Marilyn Pride (Artists), and others. Check the Conflux website for more details.

Armageddon Expo 2011

Decay Issue 5 Cover by Alister Lockhart

 I spent the weekend having fun at Armageddon, an Australian expo which features SF and Fantasy from around the world. Even though much of the con is devoted to the global scene, let me highlight two exhibitors who I think illustrate the great things coming out of Australia.

Let’s start with the cover of Decay Comics Issue 5. If you don’t know who made this scary, but gorgeous illustration, I suggest you get to know Mr. Alister Lockhart.  Alister was kind enough to speak with me about the state of the Australian SF scene. He also introduced me to the horror comic Decay, which he is currently working on with a number of other writers and artists at Dark Oz, an Adelaide based publisher with a growing line of uniquely Australian comic books. I myself am not a big horror fan, but I was really impressed by the art and hard work put in by the entire Dark Oz team at 

Alister Lockhart
Alister Lockhart

Having come from the Australian Gaming industry, Alister has been through ups and downs. Haven’t we all? But I was amazed by his drive and dedication to the world  of fantasy art. His cover designs are amazing to say the least. But I was also impressed by his website, where he showcases a great deal of art created over the years. I was impressed, and would urge everyone to check out his work at alisterlockart.com.

Another very interesting notable was a company showcasing on-line comics. Cloud 9 Comix

Cloud 9 Comix
Cloud 9 Comix

is a digital comic book publishing arm of Spectrum Pacific Publishing, which was founded by Benjamin Slabak (right in photo) in 1996, in Sydney, Australia. Even though they’ve been around for some time, the big news is the launch of their iPad app which officially went live in iTunes on January 5, 2011. To me this is a perfect storm (in a good way!) of technology and art. Selling comic books on the PC and other on-line forms has not been good, but not perfect.  However, all that’s going to change. I took one look at the iPad app they have and bamm! I fell in love with comic books all over again. The experience was even better than paper. Can believe that? Think about it; you now can carry around unlimited comics, enlarge individual panels, see them in breathtaking color, and most of all not worry about ruining fragile bond pages. This I believe, is the ultimate technological driver for the comic book industry. Paper, is dead! Long live the iPad…, and anything else that lets you read comics. 

Anyway, I have more pics to share about the con, I will upload them in later posts. For now, just check out the links and enjoy.

Minotaur in Melbourne

The perfect Science Fiction bookstores!

Minotaur Bookshop in Melbourne

I had a wonderful experience visiting this bookshop in downtown Melbourne. Of course, I didn’t expect much so that added to the shock appeal. But Minotaur is by far the best SF bookshop I’ve ever seen. No joke! Just upon entering, one is inundated with books, toys, Manga,  and DVD’s galore. It was hard to even focus my eyes; there was literally so much stuff, I didn’t know where to start.


As you can see from the two pictures above, they have everything under the sun. But I was mainly interested in books. A subject which is painful because like all booksellers in Australia,  the prices are usually 2x the cover price . This is not necessarily their fault. But I don’t want to focus on prices in this article, and will bring that up in a later past.

Instead, let me comment on the following;

All Hugo winners from 1951 in order!

Yes, here we see every Hugo winner in order displayed nicely. I nearly fell down hyperventilating because no other bookstore has ever bothered to use their precious space in this fashion. Cleary, the owners care more about customer experience than economics. But I applaud them for this. And the cards you see attached are also spread out along the entire extended stack, where one can pick out notable Authors as you browse them in alphabetical order.

What can I say, the shopping experience was truly unique. However, what scares me about all this is the future. With the coming of e-books and Amazon’s kindle, prices for books are bound to fall. What this means for typical booksellers is scary. Probably the same as the US; Many will close their doors. I don’t want to see that happen to Minotaur. They deserve better. So, if you’re in the Melbourne area, check them out. It’s an experience you will probably tell you’re grandkids about.
When they say to you; grandpa, did really read all this paper years ago?


Once again I went on Saturday to Infinitas bookstore (bookshop in OzTalk, mate) in Parramatta. My intention was to join the SF Writers Group. Sadly,  it didn’t take place for logistical reasons. However, I did have the chance to speak with Tim, the proprietor about his thoughts on SF.


Charless Stross signing at Infitas Aug. 10, 2010

Honestly, the number of independent booksellers is becoming few. And ones specializing in Science Fiction? Well, that’s even fewer. So I’m actually quite impressed to see wonderful shops like this crammed with SF to, literally, the ceiling. Making things even better, Tim is a wonderful person, who is both friendly and knowledgable about the genre.

So what’s happening in the marketplace? We both talked about the future of e-publishing. The clock is ticking and I suppose we both agreed that paper will go away (and the bookshops too sadly), but there is no agreement on when this will occur. My guess it is only about 5 years. But, I’ve been wrong before. Oh so wrong!

The written genre is of course in trouble. It always has been, and it always will. But clearly Sci-Fi (the media side with movies, TV, DVD, etc) is paving the way for our future. The question now is how important will writing (novels, and short stories) continue to be. I for one think it will remain the cradle, and a continuing source of brilliant ideas for the Sci-Fi media community to sponge off.

In the meantime, I look forward to visiting Infinitas several more times before my assignment in Australia comes to an end. If anyone is visiting OZ (before the demise of all paper book shops worldwide), I  suggest you give this little place a visit. I think it will be worth your time.

Worldcon 2010

The following report was published at Adventures in Sci-Fi Publishing . Many thanks to Shaun Farrell for putting it out there . However, I have made my own posting with some aditional material. Enjoy:

Spending five full days at the 68
th annual Worldcon in Melbourne Australia was an incredible experience. It was my first Worldcon, and as a lover of the Sci-fi genre, I imagined complete Sci-Fi immersion from morning till night would be easy. It’s a dream come true don’t you think? However I must admit that by the end of the 5th day, I was absolutely exhausted and in desperate need of rest. But now that I’ve had a few day to recuperate, let me share a journal of my experiences during this amazing event.

Day 1:

After registration, there was a small rush to sign up for Kaffeeklatsches.  Being my first con, I soon realized how important and fascinating these meetings are. A Kaffeeklatsch is a private sitting of about ten people with authors, artists, and other notable persons attending the convention. Enjoying a cozy cup of coffee like this is a key feature of Worldcon, and I was lucky to start my first day with celebrated writer John Scalzi (President of SFWA). John as you may know is a well known blogger, and wrote _The God Engines_, which was up for a Hugo this year. He is also an incredible personality. Full of energy and humor, his exuberance and passion for Science Fiction was incredible to be around. I for one consider myself quite lucky to have met him from the very start of my Worldcon experience.

John Scalzi

After the Kaffeeklatsch ended, I met up with Graham Storrs , a friend of mine, and author of _Time Splash_. Graham lives in Australia, and I was really happy to meet up with him and catch up on his newest work. But we couldn’t talk long, because we both wanted to jump into the many panel discussions taking place.

Graham Storrs

My first session was called “Australian SF vs. The rest of the world”. Chaired by Lucy Sussex, Peter M. Ball, Tehani Wessely, and Jack Dann , it was an appropriate session to watch, given that I was in Australia. The panel discussed challenges faced by Australian writers trying to get published in a country where the population (given its enormous land mass) is quite low. For most writers, breaking out into the mainstream market means getting published with US, or British publishing houses. Accordingly, the voice and style of writing often needs to be tailored to the respective target market. It was impressive to see that given all these challenges, Australia produces some great science fiction. This was evidenced by the panelists themselves, and by other notable authors like Greg Egan . Greg sadly, was not at the convention.

Day 2:

Friday began in the large Plenary hall, where Guest of Honor, Kim Stanly Robinson and Robert Silverberg spoke about their life experience in the Science Fiction field. What can I say? Watching these two great men talk for an hour was incredible. Going back and forth candidly, Stan and Bob discussed a number of subjects; archeology, ecology, utopian societies, World War II, economics, etc. It was all interesting, but for me the most memorable part was their discussion about changes in the SF market over the last few decades. Of course Robert Silverberg has been writing over 50 years, so from his point of view, the reduction in pay rates over the decades was lamentable. He pointed out that writers now get paid less per word than he got back in 1960. On a more positive note, he and Stan reminisced about many modern day advantages. For instance, both had wonderful memories about the introduction of personal computers, and how much easier it is to go about the laborious process of writing.

Stan and Bob during and after their Plenary

Later in the afternoon, I was also fortunate to meet China Miéville . China’s book, _The City & The City_, was up for a Hugo and many people were keen to meet him. But he had cancelled his Kaffeeklatsch signup due to sudden scheduling changes. It caused quite a stir with the many eager fans waiting in line. However, by noontime and without announcement, his Kaffeeklatsch was reinstated. And only by accident did I happen to walk by and find the signup sheet just laying about unnoticed. What incredible luck! Of course, meeting China in Person was an unbelievable experience. Here before me was a true intellectual, yet open, soft spoken, and quite modest. A writer who strives to create something other than the typical thrillers our genre has been gravitating too. In fact, I asked him straight out if he was attempting to buck-the-system, and write books that are more literary than what is typically expected by readers. As best as I can remember, he said, “I know not everyone will understand my writing, but I am not giving the readers what they want. I am asking the readers to want what I am giving them.”  What an answer. And since China took home the Hugo for best novel, I think the readers have shown they want what he has to give.

China signing after the Kaffeeklatsch

Friday evening, and there were many parties at the Crown Plaza Hotel, Worldcon’s official party and socializing meeting-place. After a few rounds of unabashed merriment, I found myself on the lower level, where a party was being held by the Canberra Speculative Fiction Guild (CSFG). There I met a number of interesting personalities in the Australia writing scene. I first met Donna Maree Hanson , an editor and writer for the CSFG. She was very cordial, and explained CSFG’s history as a writer’s group formed back in 1999 after Aussicon3. Donna then introduced me to other writers in their group. One member was Simon Petrie , a research scientist and speculative fiction author living in Canberra. Simon and I met up later in the convention and he showed me his work published in Andromeda Spaceways Inflight Magazine (ASIM) , a fantasy and science fiction magazine published out of New South Wales, Australia. I wasn’t familiar with ASIM, but I soon met up with one of their editors, Patty Jansen . She took some time to show me a broad spectrum of work that has been published by the magazine. In all, I was quite impressed by everyone in CSFG and ASIM. And now that I know more about them, I look forward to seeing their future work.

Donna                       Simon and Patty

Day 3:

Saturday, and a big day for Plenary sessions. The first session was entitled, “Time and the Novel”, and was given by Stan Robinson about Science Fiction as a literary art form. Stan spoke elegantly about Modernist literature. Quoting from works of Marcel Proust and Virginia Woolf, he explaining how Modernist and Post-Modernist literature helped shape Science Fiction. He pointed out that simple rules like, “show don’t tell”, can sometimes overly restrict. And it is important for writers to use, deep-time exposition, to establish the future history of a novel. Long exposition, in his opinion, is fine as long as it maintains the reader’s interest. And pointing out the trend towards fast, dramatized dialog, Stan made the case that modern SF panders itself to the less knowledgeable reader, and takes the genre away from its literary roots where it might be better served. I sat enthralled by Stan’s lecture, and I came away from this session with a much deeper understanding of what Science Fiction is, and what it is capable of becoming.

The next Plenary session was about marketing and selling Short Stories. The panel included Cory Doctorow , David Levine, Lezil Robyn, Robert Silverberg, and Angela Slatter. It was a very lively discussion, and focused on two areas. First was a need by writers to make contacts that can help get around slush piles. Bob Silverberg  made the point that often luck is sometimes needed to avoid being forgotten in a sea of paper. The second point the group talked about was the need for persistence. Since slush piles are unavoidable, the group urged that one must be professional, and submit a high number of pieces in order to get noticed. David D. Levine also made the case that even with a high number of rejections, editors will still note an author’s attempt, and accept work when the quality improves.

Day 4:

On Sunday, I had the pleasure of listening to Stan Robinson talk about his ideas on ecology and climate change. He talked for some time about technological development, and its negative impact on smaller life forms. One consequence, he pointed out, might be the destruction of the sea’s entire food chain. He also talked about possible solutions, but made it clear that “purity”, in a philosophical sense, was not a solution. He urged everyone to stay clear of fanaticism, and to consider unpopular solutions if needed. For instance, lowering our carbon footprint should include nuclear power, even though use of that technology brings with it a number of potential dangers. Overall, I found the discussion quite poignant, and I give Stanley Robinson a lot of credit for his stand on ecology.

Between sessions, I ran into David Levine . He was nice enough to sit down with me for some time and discuss the challenges that writers face getting published in greater detail. David himself is a well respected writer, and getting his personal insight on publishing was a real treat. In my opinion, it is chance meetings like this, that make Worldcon special.

The next Plenary session was about the life work of Jack Vance. I myself am a big fan of Vance, and was very keen to hear the thoughts of the panel made up by George R.R. Martin ,  Terry Dowling , Mark Olson and Jonathan Strahan . They began by talking about Vance’s wonderful stylized form of minimalist writing. They felt his prose created a hypnotic and soothing affect on the reader. George Martin also commented at length about Vance’s broad repertoire of stories. Some funny, some sad, some weird. But the panel also recognized faults in Vance’s work. For instance, the plot and ending would often have problems, or seem odd at times. Still, everyone agreed that Vance is arguably, one of the greatest Science Fiction writers of all time, and any faults were simply pushed aside by a writing style that few are able to imitate. Of course, Jack Vance is quite old now, and no longer able to write. Even so, the panel talked about the possibility of a revival. This was evidenced by a recently published anthology in honor of his Dying Earth series , and the possibility of movies.

The next major session was about the exploration of Mars. Stan Robinson, David D. Levine, and Jim Benford discussed the recent discovery of methane in certain localized areas of the red planet. They stressed that this is quite intriguing because methane can be produced by two processes. One is by volcanism and tectonic plate movement, the other biological. Now since Mars is geologically dead, it is possible to consider that some biological process is responsible. If so, it raises interesting questions. The panel talked about the many challenges of going to Mars in order to find out the truth, along with the moral ramifications. If indeed there is microbial life there, the panel considered man’s right to disturb it. Overall, the discussion wasn’t about little green men, but I still found it thought provoking.

The rest of the Sunday afternoon was spent chatting with friends and checking out the dealer room until 7pm, when the Hugo Awards ceremony took place. Since I have never been to the Hugo Awards before, I can’t compare it to anything. However, it was quite exciting as the categories and winners were read out loud. Rather than write everything down, let me put the a link in that shows the final results ;

All Hugo winners line up.

However, it is worth mentioning that this year’s voting for Best Novel resulted in a tie. Fist place was shared by China Miéville for his book _The City & The City_ along with _The Windup Girl_ by Paolo Bacigalupi . I was very pleased with this result because I think both works exemplify the great potential of Science fiction. Sadly, Paolo was not there to accept his award, but China did get up on stage. I had asked China a few days earlier if he expected to win, to which he answered quite frankly, no. He was quite modest about his chances, and I think this explains why he appeared somewhat shocked and out of breath as he got up on stage to make his acceptance speech.

Day 5:

The final day, and it felt like things were winding down. Still, I attended some good sessions. There was one on the Bioethics of Terraforming, given by Stan Robinson, Greg Benford, and David Levine. There was also a great session on selling short fiction.

But what I remember most about the last day was my final Kaffeeklatsch with Jay Lake . Even though Jay was suffering from health issues, he was brave to come to Australia and speak with the fans. Soft spoken and extremely personable, he talked about the state of Science Fiction, and why Sci-Fi sales were currently weaker than Fantasy. Jay explained in a very thoughtful manner, that Sci-fi suffers from the fact that it is non-normative. A kind of storytelling that starts with a environment where one introduces a disturbance: aliens, technology, war, etc. The outcome of which is an irrevocable change to society. This is in contrast to the normative story telling of Fantasy, which typically starts with a happy society, which is then disturbed by a dragon, wizard, and or demon. At which point, a young boy/girl comes of age and finds a magical sword, ring, helmet, spear, whatever; and then goes off to battle until said society is back to its normal state. This explanation I felt was extremely interesting, and does address why folks seem to have issues with Sci-Fi. For the most part, Sci-Fi brings news of change, and the fact that things will never be the same. I suppose not everyone likes that kind of storytelling. It can be scary. But I for one, feel it is closer to reality. Do we not live in a world that is forever changing?

On that note, I can say that Worldcon has forever changed my life. I learned so much, met so many interesting people, and made some really great new friends. How I can I ever be the same afterwards? I won’t be.

In closing, I can only apologize for leaving out so much detail from this report. I am unable to mention all the sessions that took place, nor am I able document fully the large number of fascinating discussions I had with fans and writers during breaks, lunch, and socializing events. Some of it will be lost in time, but I hope to be at future Worldcons and continue the experience. For your information, Next year’s Worldcon is in Reno Nevada , an easy travel destination for Americans. So I look forward to a big crowd, and lots of SF fun.

See you there.